choreograaf K3-tour verwijderd na 16 meldingen
Brussel, dinsdag, 3 maart 2026.
Een invloedrijke choreograaf van Studio 100 is uit de K3 Originals-tour gehaald. Er zijn minstens 16 meldingen van grensoverschrijdend gedrag. Dansers meldden een angstcultuur en emotionele chantage. De man had grote controle over budgets en inhuur via zijn eigen dansschool. Meerdere huidige en oud-dansers klaagden over ongelijke beloning en gebrek aan autonomie. Studio 100 heeft intern onderzoek gestart en werkt met een vertrouwenspersoon. De zaak roept vragen op over machtsmisbruik in de entertainmentsector. Camille Dhont stapt op als reactie. Axana Ceulemans keert terug als hoofdchoreograaf.
removal after multiple complaints
A prominent choreographer linked to major Studio 100 productions has been removed from the K3 Originals-tour following at least sixteen reports of inappropriate behavior [1]. Current dancers, former performers, and production staff reported issues to the company’s confidential advisor [2]. The allegations span several years and involve psychological pressure and financial control [3]. The situation emerged amid growing scrutiny of power imbalances in Belgium’s cultural sector [GPT].
culture of fear and control
According to internal accounts reviewed by media, the choreographer fostered a climate of fear among dancers [2]. He managed hiring through his own dance studio, using funds allocated by Studio 100 [2]. Performers expressed anxiety over taking sick leave or accepting outside work [2]. Emotional manipulation appears to be a recurring theme across testimonies [2]. Some dancers received only 300 euros gross per performance, raising concerns about fair compensation [3].
financial autonomy and exploitation
The choreographer had significant discretion over how Studio 100 funds were distributed [2]. Despite receiving a substantial budget, dancers report minimal pay relative to workload [3]. His dual role as contractor and creative director created conflicts of interest [2]. Former team members allege that he built a personal empire at the expense of young performers [1]. There is evidence suggesting systemic undervaluation of labor within his projects [3].
institutional response and changes
Studio 100 confirmed it is conducting an internal review but declined further comment [1]. The organization activated its trust officer to collect employee feedback [2]. In response, performer Camille Dhont severed ties with the implicated choreographer [3]. Axana Ceulemans, who handled early K3 choreographies, will resume artistic leadership for upcoming shows [3]. This shift marks a return to earlier creative oversight structures [GPT].